Plato's Republic BK VII
Interestingly, the concepts of the
Sacred and Profane that we covered in class may be related to Plato's
book VII of the Republic. In it, Plato recounts the infamous allegory
of the cave, which implies that the world humanity lives and acts in
is nothing more than a world of appearance and that there is an
ultimate reality (of the forms) that is beyond the paltry world of
shadows. This description is comparable to that of the sacred and
profane orders which similarly state that there is a divine world
order which is beyond any established human order. In the case of
Plato's allegory, humanity is confined to living out their days in a
cave. Chained to the floor and forced to watch shadows dance on the
wall, their entire existence and system of value concerns only
shadows. These shadows are not the objects in themselves, but are
rather merely two dimensional facsimiles of reality. To this extent,
the position of humanity is thus confined to the profane. However,
through an extensive process of awakening, one may cast off their
bonds and reach the surface and see reality for what it is. During
this process, one is blinded by the light and is forced to reassess
and adjust their understanding of what's real and what's not.
Reaching the realm of the Forms is therefore transitioning to the
sacred. It's particularly interesting that this path requires one to
be blinded as it is frequently suggested, especially within
Christianity, that encounters with the divine often “Blind one”
with radiating light.
Another interesting note regarding this experience is that Plato suggests that once one views the forms, it is their duty to travel back to the cave and liberate his or her fellows. Resistant to changing their views, those unable to leave the cave are driven to kill the enlightened one out of fear. This sentiment is often reflected in popular culture and myth. One instance in particular, which we viewed in class, is in Apocalypse Now. In the film, Willard is sent to eliminate the “awakened” Colonol Kurtz because his very existence represents a threat to the profane world-order. Kurtz is illustrated as adhering to the sacred order of nature in the same way that Plato's enlightened one is adhering to the realm of the forms. Both are assassinated for attempting to bring knowledge of the sacred to the profane. Ultimately, there is a clear parallel in both the sequence of events as well as the significance of the two orders in relation to reality.
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